Or, a Semi-Socratic Dialogue on the Nothingness of Sid Vicious and the Everythingness of My Mother
SCENE: Outside the literature building. Damp but warmer-than-normal late November evening. Two characters: Prof and Writer Whom I Respect and Adore (PWWIRA). Me.
PWWIRA: So what do you mean that it irks you that people wanted more “you” in your piece? Most of your pieces have so much you!
ME: Because in the end it all goes back to my mother.
PWWIRA: Wait! How? This is a profile of a musician!
ME: Because my mother used to work in a record store and raised me on the Sex Pistols, the Clash, Elvis Costello, David Bowie. When I was five I looked at her and asked, “Mommy, what’s a Sex Pistol?”
PWWIRA: [Signature gasp and hand clap. Seriously, the man is known for this] Really! Why that is fascinating! So why not write it?
ME: Because it’s always about her.
PWWIRA: Are you saying every piece you write features her?
ME: In some form, yes.
PWWIRA: Even your fiction last semester? The depressed woman who never ate and the daughter who went to the SF market to find joy?
ME: [Inwardly rolling eyes and wishing for a crock of St. Benoit yogurt as he mentions this]. Of course.
PWWIRA: And tonight’s piece–she’s there too.
ME: Yup. Wormed her way in.
PWWIRA: That is truly fascinating. Just go and write it. Write her in until you cannot write her in any more.
ME: That’s a lot of writing. Especially with the onset of carpal tunnel.
PWWIRA: But you must.